Strings

Showing 1–16 of 23 results

  • Gut

    Gut (5)

    Musical instrument strings have been made of sheep or lamb intestine since the earliest days. Until the end of the 19th century, gut strings were the only strings available for bowed stringed instruments. On the violin, the E, A, and D strings were usually plain, unwrapped gut. The G string has taken different forms to reduce mass, using variations of twisting, braiding, and wrapping. Today, musicians specialising in early-music performance are amount the few who use plain gut strings. Most players who use gut-core strings use those that are wound with silver or aluminium. Gut-core strings have their own unique sound, which is very full and complex with lots of overtones. Of all types, these strings have the slowest response. On many instruments there is a slight resistance, or “catch” on note or bowing changes, an effect that is more pronounced on some instruments than others. Because they are lower in tension, gut strings tend to feel softer and more pliable under the finger. The major disadvantage, apart from price, is that they are rather unstable in response to temperature and humidity changes and thus tend to go out of tune frequently. When first installed, gut-core strings need up to a week to stretch out before they have any kind of stability. Some musicians get tired of the constant tuning. The sound of these strings, however, can be beautiful, and although the manufacturers of synthetic-core string often make claims that their strings sound just like gut, they usually can't achieve exactly the same results.
  • Steel

    Steel (8)

    Steel strings began to appear in the late 19th century with the introduction of the steel E string (most E strings still employ steel in their creation). The A, D, and G strings use a core of fine strands of steel covered with a variety of metals, including chrome steel, silver, tungsten, titanium, and others. Many (but not all) steel-core strings tend to be bright. The sound is usually clear but simple, with few overtones. Steel-core strings have the fastest response of any string. Many are higher in tension and thinner that other types of strings. The least expensive of them tend to be edgy, tinny and a bit rough, while the best are of much higher quality. With steel cores, there is very little expansion or contraction during temperature and humidity changes, and they tend to stay in tune better than synthetic-core strings. They are therefore a good choice for beginner students
  • Synthetic

    Synthetic (10)

    In the early 1970s, Thomastik-Infeld revolutionised bowed instrument string making by introducing Dominant perlon-core strings. The claim was that now you could have a string with the sound of a gut-core string but without the disadvantages of pitch instability and slow response. These strings use a core of perlon (a type of nylon) wrapped with silver or aluminium. Within a day or two of being installed, the strings stretch out and stabilise. The core isn’t affected by changes in temperature and humidity nearly as much as gut, so these string stay in tune much better. They also have a quicker response. Since the introduction of Dominant strings, other manufacturers have introduced many new synthetic-core strings and have been able to achieve a huge spectrum of sound qualities. With the exception of Dominants, synthetic strings have a tendency to lose their sound more quickly and completely than gut or steel strings. This loss usually happens after six months to a year, depending on how much you play and how sweaty your hands are. This change is characterised by dullness and a lack of response and projection in the lower strings.
  • dominant

    Dominant (Thomastik-Infeld, Austria)

    Top Seller
    The first synthetic-core string is still a top seller for violin and viola players.  The sound is brilliant and responsive.  However, they can sometimes sound reedy, or even nasal in comparison with other synthetic core strings now available, particularly on new or overly-bright violins.  When they are first installed, they have a rather metallic and edgy sound that softens with a few days of playing.  The E strings are available in steel or wound, though players often swap a different. They last well, both physically and tonally.  Their small-sized strings are also very popular, for their longevity and softness under the fingers.
    (Available for violin and viola, cello on demand)

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  • passionevn

    Passione (Pirastro, Germany)

    This is Pirastro’s newest gut string, which they market as having greater tuning stability than their traditional gut strings, and with a shorter playing-in time. It is an elegant and warm string, available in standard and solo.  It also has a powerful tone and good projection.(Available for violin, viola and cello – ring to check for stock levels)

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  • evahpirazzi

    Evah Pirazzi (Pirastro, Germany)

    Top Seller
    Pirastro Evah Pirazzi is an outstanding string at the higher end of the price scale.  It’s more brilliant that the Obligato, silvery, powerful, and with a great deal of character.  It is very popular with professional players, whether soloists, chamber music players or orchestral musicians.  These strings need two or three days to stabilise, as they tend to stretch a great deal when new.  If your instrument has a bright, edgy sound already, you may prefer using Obligatos.  These are proving very popular with cellists who find the Obligato strings lacking in brilliance, but who want an alternative to the Larsen/Spirocore tungsten set-up. Evah Pirazzi Soloist (cello only) are available on request. Evah Pirazzi Gold are warmer than the standard Evah, and designed for those that appreciate the directness and drive of the the Evah, but wish to enrich the tone.
    (Available for violin, viola and cello)

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  • Chromcor (Pirastro, Germany)

    These are a step up from the Piranito.  Chromcor have a bright, clear sound, with good volume and reasonable warmth, given their steel core. (Available for violin, viola and cello, request)

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  • obligato

    Obligato (Pirastro – Germany)

    (Available for violin, viola and cello)Top Seller
    When Pirastro introduced Obligato, it was found to be one of the more exciting professional-quality strings on the market – with a price tag to match, but with the quality to justify it.  Of all the synthetic-core strings, the Obligato comes the closest to sounding like a gut-core string, especially Pirastro’s own Eudoxa.  Obligatos however, respond more quickly and are slightly more brilliant, though the overall quality is one of warmth and richness.  If your instrument works well with Eudoxas, you may well want to try the Obligatos. There are Gold E’s available.
    They are increasingly popular with professional and advanced student cellists who want a warm sound and a lower-tension string.

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  • Helicore (D’Addario, USA)

    This is a popular string with fiddlers that offers a smooth, bright tone that has more quality than other, cheaper steel strings.  It also has a soft, pliable feel under the fingers.  It is also a good choice for electric violins.
    (Currently not available)

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  • pi

    PI- Peter Infeld (Thomastik-Infeld, Austria)

    PI are the latest strings from Thomastik-Infeld, and a good step up for those who use the Infeld Red or Titanium Solo. They are brilliant strings, with quick response and great complexity. The E strings come in Tin, Gold, and the Platinum plated E strings, and there is a choice of Aluminum or Silver wound D. E-strings have a removable ball.
    (Violin, some Es are on request)

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  • jargar

    Jargar (Denmark)

    Top Seller
    Many decades ago, Jargar strings became popular with cellists, especially for the A and D strings, because of their warm sound. They still provide a good, mid-priced alternative to the Larsen A and D.  The G and C tend to be a bit muffled, but this problem is much less evident with their ‘Silver Sound’ G and C strings.  However the violin strings, with the exception of the Forte E, have waned in popularity here, as synthetic strings can now provide more warmth and clarity of sound with some reliability of pitch.  The violin G strings tend to have muffled sound, with a sluggish response. (Available for cello, violin and viola on request)

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  • tonica

    Tonica (Pirastro – Germany)

    Tonicas have a fairly bright sound along with complexity, fullness and depth.  They can sound very good indeed on some violins but quite harsh and nasal on others – we have found them less versatile than the Corelli Crystal strings on student instruments.  Some people may find the strings to have a slightly slower response than other brands.
    (Available on request for violin and viola)
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  • Larsen (Denmark)

    Top Seller
    Thsee are top level strings that are favourites with orchestral players and performance students. They come in soft, medium and strong. The ‘Solo’ set are more powerful and bright. The fractional cello sets are comparatively quite affordable, and can be ordered on request. Available as A, D, G and C (tungsten) for cello and A for viola. (Note the rest of the viola set have synthetic core D, G & C) (cello, viola and violin A)

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  • violino

    Violino (Pirastro – Germany)

    Top Seller
    This string is similar to the Obligato, with a warm, clear, almost bell-like sound.  Though it lacks some of the complexity of the Obligato, it is also a little cheaper.  The quality, response and evenness of tone is better than similarly priced or cheaper strings, and Violino tends to be very consistent in giving a good sound, regardless of the violin.  These are lower-tension strings than Obligato and Pirazzi.
    (Available for violin)

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  • prim

    Prim (Sweden)

    Top Seller
    Prim cello strings, especially D, G and C coupled with a Jargar A, are a very popular, inexpensive choice for student-grade instruments. As a violin string, they are favourites with fiddlers,being a good choice if you want a bright, edgy sound, easy response and a low price.   (Available for cello. Ring to check stock levels for violin)

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  • vision

    Vision (Thomastik-Infeld, Austria)

    Top Seller
    Visions are an excellent student string for those wanting an alternative to Dominants. These are suitable strings for beginner right through to advanced students, and can produce good, even exceptional results on some instruments.  On others, they can sound a little bright. Generally the sound is not as complex as that of the Vision Titanium strings.  Vision strings are currently cheaper than Dominant, and they are also available in fractional sizes.
    (Available for violin and viola)

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  • piranito

    Piranito (Pirastro, Germany)

    These are among the least expensive violin strings in the Pirastro range, but they have a reasonable sound for their low price, though the lower strings tend to be a bit dull. Piranito can be useful for small student instruments, including violin-sized violas.(Available for violin on request)

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  • titaniumsolo

    Vision Titanium Solo and Orchestra (Thomastik-Infeld)

    These are excellent professional-level strings, with a clean, rich, complex sound and good projection.  They are very stable and settle in quickly.  They compare well with the top-end Pirastro strings, sitting somewhere between the Evah Pirazzi and Obligato strings in tonal quality.  The Solo strings have a more brilliant quality, while the Orchestral strings have a warm, less brilliant sound designed to blend well in orchestral or chamber music situations.  These two brands are the closest to a Eudoxa/Oliv gut-style sound that Thomastik-Infeld has produced. (Available for violin)

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  • prelude

    Prelude (D’Addario, USA)

    These are affordable, beginner student-quality strings.  They provide a reliable, long-lasting option for school and hire instruments, the A, D, G and C strings being generally hard-wearing and very stable. They are quite warm compared to strings in the same price bracket. (Available for violin, viola and cello)

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