We have a wide variety of violins available for sale in our showroom. Every violin has been restored and set up to the best possible playing standard. We encourage you to come and try our instruments, and you can take items away on appraisal to ensure you find the right violin for your playing style and aspirations.
Please note that bows and cases are NOT included with the violin unless indicated.
Showing 1–16 of 19 results
S358 Labelled: “Jacobus Stainer”, Germany, late nineteenth or early twentieth century$ 1,950.00
Unlike many “trade” copies of Jacob Stainer’s work, this violin avoids the excesses in arching height, and the plateau-like profiles we so commonly see. A narrow waist, small, fairly elegant ‘f’ holes and a rounded arching give this violin a clear, smooth, sweet tone which, being slightly on the small side, will encourage more reticent students to play into the string and explore the violin’s potential without being intimidated by too much volume or brightness.
S519 Labelled “Stradiuarius”, Germany, late nineteenth or early twentieth century, with case and bow$ 2,000.00
This strongly-modelled German violin has two contrasting characters, a well-made but somewhat rustic-looking belly and a well-flamed, more elegant back with a warm, golden-red transparent varnish that has developed a fine, broad craquillure. The tone is straightforward, with a similar colour palette across all four strings. It is priced very attractively, putting it in reach of a student wanting a historical instrument at an affordable cost, and comes with a functional case and bow.
Start sale price: $2,000.00
C498 Unlabelled, Germany, early-mid twentieth century$ 2,500.00
By the mid-nineteenth century, home music making had become a widespread pastime of the middle classes throughout Europe and the English-speaking world. The large, manufacturing workshops of France, Saxony, Bavaria and Bohemia rose to the challenge, creating hundreds of thousands of musical instruments every year to satisfy the demand. This “Stradivari” copy violin, made in Saxony in the early-mid twentieth century, is varnished in the style of the French “Grandjon” school, with an attractive blend of red-brown and dark golden colours. The tone, particularly on the upper strings, is clear and sweet.
Start sale price: $2,500.00
S507 Unlabelled European, probably French, late nineteenth or early twentieth century$ 2,600.00
This attractive violin was either made in Mirecourt, the traditional French violin-making town in the Vosges, or modelled closely after the French style in a large workshop in North East Germany. The varnish is a golden amber colour, evenly applied and with little wear. A handsomely-flamed maple has been used for the back, and the edge work and corners are crisply and skillfully carved. The tone is clear and speaks easily over all four strings.
Start sale price: $2,600.00
C482 Labelled “Nikolaus Amati”, Germany, early twentieth century$ 2,650.00
Amati-copy violins are much less common than their Stradivari or Guarneri copy cousins, and provide a pleasing contrast in tonal colours, due to their higher, curved arching. This violin has the characteristic clarity and bell-like resonance of this style, along with a sense of power that many Amati models lack. A one-piece maple back has a wide, soft flame and prominent, ebony pins, which add to its visual attraction.
Start sale price: $2,650.00
S378 Unlabelled, handmade, Chinese, early twenty first century$ 2,700.00
Despite the absence of a label, this violin is readily identifiable as a fairly faithful copy of the “Paganini Il Cannone” violin of 1742 by Guarneri del Gesu, from the long, slender, Brescian-style ‘f’ holes to the chunky scroll with its tightly carved volutes. The varnish, though attractively antiqued, is more generic, with a warm, golden orange-red colour layer and wiped edges. The maple back is in one piece, with an appealing, narrow flame. The tone is even across all four strings, and clear and strong in higher positions as well as in lower registers.
C518 “Vuillaume à Paris”, Mirecourt, France, late nineteenth or early twentieth century$ 2,750.00
Violins made in Mirecourt’s large manufacturing workshops often share not only the uniform red-brown varnish that this instrument is finished with, but also cleanly cut edges inspired by the work of Stradivari. It is curious that this violin labelled “Vuillaume” after France’s most pre-eminent Stradivari copyist, should sport elegant, rounded edges far closer in style to Amati copies from prominent German workshops. The tone is resonant and clear, and speaks easily making this a very attractive instrument for students in the middle grades.
Start sale price: $2,750.00
B831 Jim Forrest, Auckland 2010$ 4,000.00
This by contemporary New Zealand maker Jim Forrest violin has a narrow-waisted elegancy, amber orange oil varnish and a warm sound.
S510 William Zettwitz #28, New Zealand, 1916$ 4,000.00
William Zettwitz began his violin-making career in Liverpool, UK, and emigrated to New Zealand before re-establishing himself in London. His violins are loosely based on the broad, long-bodied instruments of the late sixteenth and early seventeenth century Brescian School. The wide upper and lower bouts give this violin a distinctively dark, viola-like timbre, enhanced by the choice of cedar for the belly instead of the traditional spruce.
Start sale price: $4,000.00
S458 Chipot-Vuillaume, Mirecourt, France, late nineteenth or early twentieth century$ 5,000.00
Joseph Chipot-Vuillaume is famous in violin circles for having married the daughter of a shoemaker who just happened to be called Vuillaume. Combining this with his own family name of Chipot, he created a spurious connection in people’s minds with the illustrious violin make Jean-Baptiste Vuillaume. Chipot had worked for J.B. Collin-Mézin before setting up his own violin-making workshop, and was a highly skilled violin maker in his own right. This instrument, varnished with a more transparent red finish than classic examples of his output, was probably made under the guidance of his successor, Charles Drouïn. The tone is smooth and characterful across all four strings.
Start sale price: $5,000.00
S500 Unlabelled, German, mid-late nineteenth century$ 5,750.00
This characterful European nineteenth century violin is slender-waisted, with an attractive, narrowly-flamed maple back. Details of the construction indicate it was made in Germany, probably in the Markneukirchen area, but in a smaller, more individualistic workshop. The tone is clear and silvery, with good response in the higher octaves, and strength and warmth in the lower registers.
Start sale price: $5,750.00
S310 “Peter Madill”, Five-String Violin, Auckland, New Zealand, 1981$ 7,000.00
Five-string violins, especially those custom-made as such, are very rare, and a real delight to play in a non-classical context, once the initial adjustment to having a low C string as well as an E string are made. This violin was made for Cath Newhook, who used it for a number of years in her country band “Gentle Annie”. It has been fitted with a Zeta five-string electric bridge and tailpiece, with a mini-jack plug fitting on the latter. This would be a great fiddle for adventurous explorers of the folk, country, blues or rock soundscapes.
S478 Edward A. Burr violin, Wellington, New Zealand, 1935$ 7,500.00
Edward Burr was New Zealand’s first full-time professional violin maker, establishing his Wellington workshop in 1921, and working until at least 1935, when this, his last recorded violin (#155) was made. During that time, he produced well over 100 violins and six cellos. This violin is typically modelled after the Anglo-French School, with cleanly executed edges and corners, and an evenly-applied, honey-brown oil varnish. The tone is lively and well-balanced, with good clarity and projection in the higher registers of all four strings.
Start sale price: $7,500.00
S468 Sam McLean, Wellington, New Zealand, 1962$ 8,000.00
Sam McLean was Wellington’s principal violin maker and repairer in the mid-twentieth century, with a professional workshop in Island Bay. His instruments are relatively rare and his total output unknown, but this instrument shows the work of a luthier who knew his craft and had a clear conception of what he wished to achieve. The model follows Stradivari, though the narrow edge work is closer to the German School. A golden honey-brown varnish has been applied directly to the wood. The tone is remarkable for an instrument of this price, with a bell-like clarity and resonance and a very attractive character.
Start sale price: $8,000.00
S434 Workshop of Peter Wamsley, London, 1750$ 8,000.00
Both its physical appearance and the date on its label indicate that this charming violin was made in Peter Wamsley’s workshop six years after Wamsley’s death, a period when his son and his pupil Thomas Smith were continuing his business, using their master’s labels. The varnish is typical of English instruments of the time which were constructed for less wealthy clients, as is the choice of wood. Despite the fullness of the arching, the tone is clear, resonant and forthcoming, with plenty of warmth and character.
Start sale price: $8,000.00
S490 Dean Chandler with Ian Sweetman, Hamilton, New Zealand, 1996$ 8,500.00
Ian Sweetman helped several well-known New Zealand violin makers in the early stages of their careers, as well as passing on knowledge to his own family members. One of his grandsons, Dean Chandler, spent time in Ian’s workshop in the mid-1990’s, making this violin and other instruments under Ian’s supervision. The workmanship is not as polished as Ian’s but the tone is lovely, with a particularly characterful warmth on the middle strings, and good clarity and resonance over the whole range.
Start sale price: $8,500.00