Violins under $10,000
Showing 1–16 of 30 results
S270 Johannesburg 3/4 violin$ 1,750.00
3/4 violin made for J. J. van de Geest & Son Johannesburg, mid 20th century.
Attractively varnished in a mid-twentieth century German style, this violin probably originates from the Markneukirchen region. The back, ribs, neck and head are of nicely-chosen, well-flamed maple. The tone is surprisingly full for a small instrument, and would suit a more advanced young player.
B960 Saxon, labelled “Jacobus Stainer” Germany late 19th or early 20th century$ 1,800.00
While genuine Stainer violins have a higher arching than those of his contemporary Antonio Stradivari, later manufactured copies often have an exaggerated, step-wise modelling. This violin is typical of that genre. The varnish is a dark brown colour, and the sound is clear and speaks easily.
C377 Unlabelled, handmade, China 2017$ 1,975.00
This delightful, handmade Chinese violin has a clear, resonant, bell-like tone and an easy response, with plenty of depth on the lower strings. Expertly set up in our workshops, fitted with Pirastro “Violino” strings and accompanied by a well-finished, lightweight, oblong case and a very playable bow, this instrument would be ideal for a student moving into their first full-size violin, at a very reasonable price. The varnish is attractively antiqued in a style which would enhance a much more expensive instrument.
S358 Labelled: “Jacobus Stainer”, Germany, late nineteenth or early twentieth century$ 2,200.00
Unlike many “trade” copies of Jacob Stainer’s work, this violin avoids the excesses in arching height, and the plateau-like profiles we so commonly see. A narrow waist, small, fairly elegant ‘f’ holes and a rounded arching give this violin a clear, smooth, sweet tone which, being slightly on the small side, will encourage more reticent students to play into the string and explore the violin’s potential without being intimidated by too much volume or brightness.
S364 Labelled “Stradivarius”, West Germany, mid-twentieth century$ 2,300.00
This “Stradivari” copy violin has a strong tone to match the boldness of its red-gold varnish. A broad, fairly flat arching gives it that typical Stradivarian brilliance, suitable for a younger player with some confidence who is looking for an instrument that will speak in a forthright way.
C334, Unlabelled “Amati” copy, Germany, late 19th or early 20th Century violin$ 2,350.00
This otherwise straight-forward-looking violin has an appealing “birds-eye” maple back and ribs. The modelling and ‘f’ holes are in the style of the Amati family. The violin speaks easily and clearly, and would suit a student in the lower or middle grades.
C384 Unlabelled, European, late nineteenth or early twentieth century$ 2,500.00
While the varnishing style, with its rubbed edges may indicate a German origin, construction details probably tell us that this violin was made in Mirecourt, France, in one of the bigger manufacturing workshops. The tone speaks easily and evenly, and with a pleasant clarity.
S262 Labelled “Nicola Amati”, Mittenwald, Germany, mid-late 19th century$ 2,700.00
This attractively-made German “Amati” copy violin has a warm red-brown varnish which has developed an appealing craquillure pattern. The maple back is in one piece, with a soft, sloping flame. The tone is clear and pleasant, with a similar quality over all four strings. The violin is accompanied by a half-moon, Bobelock case and a student-quality bow.
C261 German trade, late 19th or early 20th century$ 2,700.00
Although this violin has a commercial, spirit-based varnish, it has been made in the style of the 18th and 19th century hand copyists of Stainer and Amati, with a long, slightly narrow outline and a full, rounded arching which rises from the purfling. The sound is strongly influence by the modelling, with an unusual, deep but clear tone.
S260 “Antonius Stradivarius”, Germany, late 19th or early 20th century$ 2,700.00
Labelled “Antonius Stradivarius” Germany, late 19th or early 20th century.
This golden brown violin has been antiqued either creatively, with elaborate acid etching on most varnished surfaces. The modelling is broad and strong, belying the tone, which is quite sweet and clear.
C393 Labelled “Alexandri Gagliano”, Germany, late nineteenth or early twentieth century$ 2,700.00
This attractive violin owes much of its charm, both visually and tonally, to its modelling, which is more reminiscent of the French “Stradivari/Amati” style than any work by Alessandro Gagliano. The flowing scoop in the arching near the edge and the slightly high central profile give the sound sweetness and clarity to balance an otherwise woody tone.
C349, Unlabelled “Amati” copy violin, Germany, late 19th or early 20th centuries$ 2,700.00
True to its Amatese modelling – the broad, scooped channels within the purfling and the high, smoothly arched curves of the belly and back – this German violin has a sweet, silvery tone, with clarity and a reasonable volume. The one-piece maple back has a very attractive, narrow flame, and the edge work is delicate, with slender, tapered corners.
S318 Unlabelled, Chinese, early twenty first century$ 2,750.00
This attractive-looking instrument is one of the new breed of handmade violins now emerging from China. The wood of the back and ribs may well be European, and has an attractive, soft, glowing flame. Though unlabelled, the violin is a reasonable copy of the work of Guarneri del Gesu. The tone of the upper strings is particularly appealing, with clarity, resonance but no harshness.
S331 Labelled “Joseph Kloz”, Germany, late nineteenth or early twentieth century$ 2,750.00
The large and prolific violin-making workshops of Saxony and Bohemia modelled most of their instruments after the great Italian luthiers –Stradivari, Guarneri del Gesu, Maggini, and the Amati family. Occasionally they copied their own countrymen, usually producing rather squarely-arched interpretations of Jacob Stainer. In this case, the model is a loose interpretation of the work of Joseph Kloz, one of the better Mittenwald makers, and despite the relatively plain wood used, the violin’s arching gives it a sweet clarity of sound that is very appealing.
C343, Labelled “Stradivarius”, European, probably German, early 20th century$ 2,800.00
This pleasant-looking, European-manufactured violin has relatively plain-looking wood but a surprisingly attractive tone, open, resonant, warm and characterful. The varnish is a red-gold colour, shaded to simulate wear but without any other antiquing.
C392 Labelled “Stradivarius”, Germany, early-mid twentieth century$ 2,800.00
This rather striking, red-gold coloured German violin, though labelled “Stradivarius”, is something of a hybrid: the outline is Stradivarian; the ‘f’ holes, scroll and arching owe more to Guarneri del Gesu; and the ‘f’ hole nicks follow Andreas Amati. The tone is rich and characterful, with an ease and clarity of production.