Showing 17–32 of 56 results
S317 Jürgen Klier, Mörendorf, Germany, early 21st century$ 2,700.00
The Klier family have been active as violin makers and manufacturers for several generations. The Jürgen Klier workshops are based in Mörendorf, an outlying town northwest of the major violin making centre of Bubenreuth. This half-sized violin has been well made, with a strongly scraped, attractively antiqued varnish. The tone is very good for a small instrument, with warmth, depth and clarity. The violin has been well set up and is very easy to play.
It comes with a sturdy, oblong case and two bows.
S262 Labelled “Nicola Amati”, Mittenwald, Germany, mid-late 19th century$ 2,700.00
This attractively-made German “Amati” copy violin has a warm red-brown varnish which has developed an appealing craquillure pattern. The maple back is in one piece, with a soft, sloping flame. The tone is clear and pleasant, with a similar quality over all four strings. The violin is accompanied by a half-moon, Bobelock case and a student-quality bow.
C349, Unlabelled “Amati” copy violin, Germany, late 19th or early 20th centuries$ 2,700.00
True to its Amatese modelling – the broad, scooped channels within the purfling and the high, smoothly arched curves of the belly and back – this German violin has a sweet, silvery tone, with clarity and a reasonable volume. The one-piece maple back has a very attractive, narrow flame, and the edge work is delicate, with slender, tapered corners.
S260 “Antonius Stradivarius”, Germany, late 19th or early 20th century$ 2,700.00
Labelled “Antonius Stradivarius” Germany, late 19th or early 20th century.
This golden brown violin has been antiqued either creatively, with elaborate acid etching on most varnished surfaces. The modelling is broad and strong, belying the tone, which is quite sweet and clear.
C261 German trade, late 19th or early 20th century$ 2,700.00
Although this violin has a commercial, spirit-based varnish, it has been made in the style of the 18th and 19th century hand copyists of Stainer and Amati, with a long, slightly narrow outline and a full, rounded arching which rises from the purfling. The sound is strongly influence by the modelling, with an unusual, deep but clear tone.
S318 Unlabelled, Chinese, early twenty first century$ 2,750.00
This attractive-looking instrument is one of the new breed of handmade violins now emerging from China. The wood of the back and ribs may well be European, and has an attractive, soft, glowing flame. Though unlabelled, the violin is a reasonable copy of the work of Guarneri del Gesu. The tone of the upper strings is particularly appealing, with clarity, resonance but no harshness.
S331 Labelled “Joseph Kloz”, Germany, late nineteenth or early twentieth century$ 2,750.00
The large and prolific violin-making workshops of Saxony and Bohemia modelled most of their instruments after the great Italian luthiers –Stradivari, Guarneri del Gesu, Maggini, and the Amati family. Occasionally they copied their own countrymen, usually producing rather squarely-arched interpretations of Jacob Stainer. In this case, the model is a loose interpretation of the work of Joseph Kloz, one of the better Mittenwald makers, and despite the relatively plain wood used, the violin’s arching gives it a sweet clarity of sound that is very appealing.
C343, Labelled “Stradivarius”, European, probably German, early 20th century$ 2,800.00
This pleasant-looking, European-manufactured violin has relatively plain-looking wood but a surprisingly attractive tone, open, resonant, warm and characterful. The varnish is a red-gold colour, shaded to simulate wear but without any other antiquing.
C367 Unlabelled, Germany, early twentieth century$ 2,800.00
With its warm brown varnish, softly-flamed maple back and largish, somewhat Stradivari-like proportions, this is a thoroughly suitable violin for a student entering the middle grades. The tone is very even across all four strings, and has a sweet, clear character.
S348 Labelled “Joseph Guarnerius” and stamped “Concert violin Guarneri”, Germany, late 19th or early 20th century$ 2,900.00
This is a boldly executed copy of the later style of “Guarneri del Gesu”, with its elongated “Brescian”-influenced ‘f’ holes, broad central bout and long, open ‘C’ bout curves. The tone has a throaty depth on the lower strings and a silvery character on the E string. The varnish is a rich red-brown, antiqued to simulate age and wear.
S321 Labelled “Michele Deconet… 2005” China, early twenty-first century$ 2,900.00
This is a very attractive-looking violin, with a golden orange-brown, lightly-antiqued varnish that enhances the appearance of the wood below. Michele Deconet was an eighteenth century Venetian maker of French birth, whose output was prolific but quite variable in style. Some small attempts have been made here to imitate the detail of his work, most notably in the narrow, tapering lower wings of the ‘f’ holes, though the upper wings are decidedly Stradivarian. The tone is clear and resonant, and particularly pleasing on the D and A strings.
S130 Unlabelled viola, Germany, late 19th or early 20th century$ 3,000.00
This 15″ viola has a warm orange-gold varnish, shaded to simulate wear but without any other antiquing. The modelling is broad, which balances the short body length and relatively low rib height. As a consequence the viola is well-suited physically to a smaller student player without losing too much bite and volume on the lower strings.
It comes with a shaped Korean case and a “G. Werner” viola bow in good condition.
C339, Jay Haide, “À l’ Ancienne”, “Il Cannone” model, Ifshin violins, USA/China, 2010$ 3,200.00
Jay Haide violins are skilfully handmade in China under the supervision of the prestigious USA violin shop, Ifshin violins. This instrument is closely modelled on violin of 1742, although the scroll has been carved more elegantly than the original. It has a full set-up from our workshops, including Obligato strings. This violin, with its golden red-brown varnish and subtle antiquing, has a clear, resonant, attractive tone over its whole range, and represents very good value for money.
C366 Copy of Sebastian Kloz, Germany 1904$ 3,300.00
Names of old masters inside European-manufactured violins of the late nineteenth and early twentieth centuries are immensely common, and many of these instruments bear little resemblance to the style of the maker they purport to copy. This violin, with a facsimile label of Sebastian Kloz, is a very pleasing exception, employing an outline, arching, scroll and ‘f’ hole style strongly reminiscent of the Kloz family, the premier violin making dynasty of Mittenwald, in the Bavarian Alps. The wood choice and the attractive golden-red varnish complement a clear, sweet, elegant tone.